Crime Fiction Writing Guides

Craft guides on plotting, suspense, dialogue, and character — from Phillip Strang, author of 150+ crime novels. Practical techniques from the writing desk.

Writing Multiple Crimes in One Novel: Braiding Parallel Investigations Without Losing Reader Focus
Writing multiple crimes in one novel presents a fundamental structural challenge: how do you maintain narrative tension across separate investigations without fragmenting the reader’s attention or diluting the impact of each crime? The temptation is to simply alternate chapters between cases, but...
Read More
The MacGuffin in Crime Fiction: When Objects Drive Plot
The MacGuffin represents one of crime fiction’s most potent yet misunderstood plot devices. Whether it’s stolen diamonds, classified documents, or a missing person with dangerous secrets, the MacGuffin becomes the engine that drives characters into conflict and propels your narrative forward....
Read More
Writing the Twist That Respects the Reader: Fair Play in Modern Crime Fiction
The twist that leaves readers gasping yet nodding in recognition represents the holy grail of crime fiction writing. Too many contemporary thrillers sacrifice reader trust for shock value, pulling solutions from thin air rather than the carefully planted evidence that makes fair play possible. The best...
Read More
Writing the Ticking Clock: Deadline Pressure in Thriller Plots
The ticking clock remains the most reliable mechanism for generating sustained tension in crime and thriller fiction, yet most writers deploy it crudely, treating deadline pressure as a simple countdown rather than a sophisticated tool for character revelation and plot acceleration. Real deadline pressure...
Read More
The Five-Act Structure in Crime Fiction: A Better Fit for Investigations
The traditional three-act structure feels like forcing a square peg into a round hole when you’re plotting a proper investigation. Crime fiction demands the methodical build and release that mirrors how real investigations unfold, with their false leads, breakthrough moments, and the critical pivot...
Read More
The Three-Act Structure in Crime Fiction: Does It Actually Work for Working Authors?
The three-act structure gets pushed on crime writers like a universal cure-all, but does this Hollywood-born framework actually serve the unique demands of mystery, thriller, and procedural fiction? Most writing guides treat it as gospel, yet many successful crime novels break its rules without consequence. Across...
Read More
Writing Quiet Scenes in Crime Fiction: The Pages Between the Bodies
The bloodied knife has been bagged, the witness statements taken, and your detective has left the crime scene. What happens in the next chapter determines whether your reader stays engaged or starts checking their phone. These quiet moments between the explosive beats of murder and revelation are where...
Read More
Writing Action in the Crime Thriller: Choreography Without Becoming a Screenplay
The moment your crime thriller’s action sequence reads like stage directions, you’ve crossed the line from novelist into frustrated screenwriter. Action in crime fiction demands a delicate balance between visceral momentum and literary depth, creating scenes that pulse with energy while maintaining...
Read More
Writing Suspense in the Slow Burn Thriller: Sustained Tension Techniques That Keep Readers Hooked
The slow burn thriller presents one of crime fiction’s greatest challenges: maintaining reader engagement without the immediate gratification of explosive action or shocking revelations. Unlike fast-paced thrillers that rely on constant momentum, the slow burn demands a more nuanced approach to...
Read More
Writing Fear in Crime Fiction: Reader Fear Versus Character Fear
The distinction between reader fear and character fear represents one of the most fundamental yet misunderstood aspects of crime fiction craft. Too many writers conflate these two entirely different emotional engines, believing that terrifying their protagonist automatically translates to terrifying...
Read More
Writing Grief in Crime Fiction: The Emotional Aftermath of Violence
Crime fiction thrives on violence, but the genre’s most compelling moments often emerge not from the act itself, but from the wreckage it leaves behind. The true test of a crime writer isn’t crafting the perfect murder or chase sequence—it’s capturing the authentic weight of loss that...
Read More
Writing Humour in Crime Fiction: Why Dark Stories Need Light Moments
The darkest crime stories demand moments of levity, not as comic relief but as narrative necessity. Without these carefully placed touches of humour, readers suffocate under relentless grimness, and characters become one-dimensional vessels for plot advancement rather than believable human beings who...
Read More
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

HTML Snippets Powered By : XYZScripts.com
Scroll to Top