Crime Fiction Writing Guides

Craft guides on plotting, suspense, dialogue, and character — from Phillip Strang, author of 150+ crime novels. Practical techniques from the writing desk.

Writing Through the Book You Don't Want to Write: A Working Author's Guide
Every crime writer faces that inevitable moment when the current manuscript feels like a slog through mud. The plot that seemed brilliant six months ago now reads like amateur hour, the protagonist has lost all personality, and every scene demands Herculean effort to produce mediocre prose. This is the...
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Editing a Crime Novel: A Working Author's Revision Process
The difference between a publishable crime novel and one that languishes in a drawer often comes down to rigorous editing. Most writers understand they need to revise, but few grasp the systematic approach required to transform a rough manuscript into a tightly plotted thriller that keeps readers turning...
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Handling the Middle of a Crime Novel: Avoiding the Saggy Second Act
The middle of a crime novel separates competent writers from masters of the craft. While opening chapters hook readers and final acts deliver resolution, those crucial middle chapters must sustain momentum, deepen character stakes, and advance investigation without losing the reader’s attention. Across...
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Writing 150 Books: What the Process Teaches You About Pace and Stamina
The question of how an author maintains momentum across dozens of books reveals itself most clearly in the brutal arithmetic of deadlines and declining enthusiasm. Most writers understand pace within a single manuscript, but few grasp the marathon rhythm required to sustain quality across an entire career....
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Writing Two Series in Parallel: Managing Continuity, Voice, and Pace
Writing two series in parallel creates a unique set of challenges that single-series authors never face. You’re juggling distinct character voices, separate continuities, and different narrative rhythms while maintaining the quality readers expect from each world. The mental gymnastics required...
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How I Plan a Crime Novel: Outline, Discovery Writing, or Both
Every crime writer faces the same fundamental question: do you plot everything in advance, or do you discover the story as you write? The answer isn’t as simple as choosing one camp over the other, because the best crime novels often emerge from a careful balance between structure and spontaneity. Across...
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Interviewing Experts for Crime Fiction: How to Approach Police, Medical, and Legal Sources
Getting the procedural details right can make or break a crime novel, yet many authors rely on television dramas or outdated research instead of going directly to the source. The difference between authentic expertise and Hollywood fiction becomes glaringly obvious to readers who know the territory,...
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Researching Foreign Locations Without Travelling: Techniques That Work
Setting a crime novel in a foreign location presents immediate challenges when travel isn’t an option. The reader expects authentic street names, credible weather patterns, and believable local customs, yet one misplaced detail can shatter suspension of disbelief entirely. Across eighteen series...
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Researching Historical Settings for Crime Fiction: Making Period Detail Serve Your Story
Historical crime fiction demands a delicate balance between authentic period detail and compelling narrative momentum. The challenge lies not in accumulating mountains of research, but in selecting which historical elements will genuinely serve your story’s central crime. Across eighteen series...
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Researching Medical and Forensic Detail: Sources, Shortcuts, and When to Stop
The autopsy scene demands precision, but readers don’t need a medical degree to follow your plot. Crime writers face the perpetual challenge of balancing authentic forensic detail with narrative momentum, knowing that too much research can bog down a story while too little undermines credibility. Across...
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Researching Weapons in Crime Fiction: What to Know, What to Skip
The moment your detective draws their service weapon or your thriller protagonist handles a sniper rifle, you face a choice that will define your credibility as a crime writer. Get the basics wrong, and knowledgeable readers will abandon your story faster than a hot shell casing hits the ground. But...
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Researching Police Procedure Without Becoming a Procedural Bore
The challenge every crime writer faces is getting the police work right without turning your thriller into a training manual. Too little research and your detective arrests suspects without warrants or processes crime scenes like a bumbling amateur. Too much procedural detail and readers skip pages to...
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